Musical Preference: Role of Personality and Music-Related Acoustic Features

Personality factors, typically determined by the Big Five Inventory (BFI), have been a primary method for investigating individual preferences in music. While these studies yielded number of insights into musical choices, weaknesses exist, owing to methods which music is characterized and categorized. For example, genre, music-preference dimensions (e.g., reflective complex), attributes strong mellow), reported within literature, arguably produced inconsistent thus difficult interpret results. We attempt circumvent inconsistencies classifying using objectively quantifiable acoustic features that are fundamental Western music, such as tempo register. Moreover, it our contention link between preference personality may operate primarily at level not broader categorization levels, genre. This study attempts address this issue. Ninety participants listened indicated stimuli were systematically manipulated dynamics (attack rate), mode, register, tempo. was measured BFI, allowing analysis traits features. Results supported certain Preference with respect related openness extraversion; mode conscientiousness register extraversion neuroticism; conscientiousness, extraversion, neuroticism. Though significant, associations relatively weak; therefore, future research could expand Specific should also aim disentangle effects genre versus on preferences. Personality–preference relationships acoustic-feature discussed recommender systems other aspects literature.